Make an assessment of Nissim Ezekiel's poetic style.
Ezekiel is the first Indo-Anglican artist to show reliably that craftsmanship is as essential to a poetic work as its topic. He doesn’t respect the composition of a poem as an easygoing issue. As per him, the composition of a poem includes a great deal of drudge. He says that we should work to be delightful.
In one of his sonnets, Ezekiel is of the view that the best writers hang tight for words. He views a sonnet as a natural, coordinated piece. In this way, the structure, the form, the words, and the expressions utilized by him become significant and a matter of imperative concern.
HIS LANGUAGE
Ezekiel is practical in the utilization of language. He has faith in lucidity, economy, and unequivocal quality. He has been receiving a conversational style. The effortlessness and conversational simplicity make his verse vital. The continuous utilization of a casual figure of speech gives to his poetic work a fine mix of the clearness of articulation and cogency of contention. Lack of clarity is deliberately kept away from by the artist and magnificence and exposed state of articulation are regularly amalgamated together. His poem ‘The Egoist’s Prayers’ shows his idyllic language at its best.
HIS USE OF WORDS
Ezekiel shows a sharp feeling of structure and form and an exceptional concern for the utilization of the correct words in the right places. Words are picked cautiously by him. The economy and precision in the utilization of words are laudable. His words are exceptionally interesting. He utilizes words from the normal regular jargon. He disregards the utilization of antiquated words. He makes a fine lovely impact by mixing sense and sound. The utilization of contemporary saying grants effortlessness, clarity, and lucidity of articulation to Ezekiel’s lovely style.
HIS USE OF WIT AND IRONY
Ezekiel is famous for his rich comical inclination and for the sharpness of his mind and incongruity. In a significant number of his poetic works, he has scorned the absurdities and indiscretions of the Indian individuals. For this reason, he has utilized silliness and incongruity as his central weapons. In his poetic works like ‘Farewell Party For Miss Pushpa’, ‘The Railway Clerk’ and ‘The Healers and Guru’ one can without much of a stretch discover Ezekiel’s funniness, mind, and incongruity. Consequently, there is an enormous reserve of funniness, mind, and incongruity in Ezekiel’s verse.
HIS USE OF SYMBOL AND IMAGERY
Nissim Ezekiel utilizes profoundly reminiscent and intriguing images and pictures in his verse. Through these embellishment devices, he makes the theoretical abstract. The ladies, the city, and nature are repeating images in his verse. Slopes, waterways, winds, skies, sun, and downpours are likewise some significant pictures. With the assistance of these normal pictures, Ezekiel dexterously brings out a realistic image of human life. Ezekiel’s best poetic works have an indefinable pictorial quality. They show a conspicuous liking for the visual expressions. For example, ‘In India’ the artist has given us distinctive pictures of Bombay.
STYLISTIC FREEWHEELING
This stylistic freewheeling is normal for practically all of his poetical works. In the event that he has utilized profoundly expressive and telling expressions in his works, he has likewise slipped by in ‘The Exact Name into Shelleyan’ deliberations like fantasies of light or rest strolling broadcasting in real-time of thought. He additionally double-crosses energy for utilizing concentrated expressions, which are allegorical in nature, and institute the focal weight of the sonnet plainly. In ‘The Double Horror’ the writer discusses wilderness development. It passes on the extraordinary increment of the modem degenerate world. While alluding to sexual relationships in ‘Paean’ he discusses the geometry of affection. So, taking everything into account he causes us to notice ‘The epic of strolling in the road’. The utilization of articulations” wilderness’, ‘geometry’, and ‘epic’ is profoundly interesting. In the previous works likewise happened such expressions as anecdotes of heck, happy amazement, and lasting daybreak.
LENGTH OF SENTENCES
The utilization of sentence length is a measurable quality of style. Ezekiel has kept up that sentence length is significantly more under a creator’s control while word lengths are progressively demonstrative of the nature and soul of the language. The majority of his sentences are simply basic. He composed longer sentences when he made works contained in ‘The Exact Name’. At that point comes an adjustment in his style. The sentences of ‘Hymns in Darkness’ are around 2/3 long when contrasted with those of ‘The Exact Name’. ‘In Latter-Day Psalms’ the sentences are even shorter. The prose verse of Ezekiel frames a group of writing somewhat extraordinarily in contemporary Indian writing in English. The sentences in Ezekiel’s composition poetic works are not of uniform length. Now and again they are sufficiently short to comprise of only a single word each as exemplified by a portion of the “sentences” in “The Prophet”.
HIS USE OF SIMILES
Ezekiel’s similes can be partitioned into two gatherings: those in which the tenor is more concrete than the vehicle and the other way around. A case of the previous is the metaphor in “Squirrel,” where the correlation is between the squirrel and an idea. A coordinated flick of dim and earthy colored/And he is gone, similar to an idea. Others remember the one for “Subject of Change.” “The waves/Rise and fall like bad dream graves/that can’t hold their dead”. Instances of comparisons in which the vehicle is more concrete than the tenor remember the likeness for “A Morning Walk”: “His past resembles a sloppy pool.” In “Master”: “dropping our indiscretions/like old garments.” Thus, Ezekiel is an incredible and skilled poet. He is the most adaptable artist in India. He tests perpetually with structure and art. He is regarded for the somberness of his craft, for the effortlessness and conversational simplicity of his language, and for the economy and precision in the utilization of words. The greatness of his symbolism and the sharpness of his mind and incongruity are additionally lauded.
